Toronto full-time musician and carpenter Tim Moxam is putting all his skills to good use as he heads out on a tour with a difference, delivering StopGap wooden accessibility ramps to inaccessible music venues he visits along the way. Tim is coordinating the StopGap On Tour initiative, a program that partners musicians who possess a skilled trade (like Tim, and Broken Social Scene’s Jason Collett) with Toronto’s StopGap Foundation, a Canadian charity that is raising awareness about the importance of accessibility, inclusion, and a barrier-free society. Through StopGap’s Community Ramp Project, businesses with single step entryways are able to receive a custom built access ramp, drawing attention to the issue of accessibility, while at the same time creating an entrance that is accessible to everyone. Tim Moxam released the excellent “Marlborough Hall” earlier this year, the follow-up to his very well-received debut “Soft Summer” from 2016. Tim regards Marlborough Hall as a substantial development in his career as a musician. “Soft Summer was about loss and heartbreak, about being traumatized by love and relationships. Marlborough Hall is about maturity and confidence. It’s about coming to terms with who I am and owning that. It’s about honesty.” Marlborough Hall features nine new songs and was produced by Chris Stringer (Megan Bonnell, Timber Timbre, The Wooden Sky) at Toronto’s Union Sound Company with support from multi-instrumentalist Adrian Cook (guitars, keys, synths, woodwinds), Joshua Van Tassell (drums, percussion), Charles James (bass) and Ivy Mairi (vocals). We caught up with Tim Moxam on tour in Eastern Canada to chat about his music and the Stop Gap on Tour initiative. For more information about the music of Tim Moxam and upcoming tour dates, visit timmoxam.com. Check out the video about the Stop Gap on Tour initiative HERE. Music: Tim Moxam “Honesty”, “All I Feel”, “Marlborough Hall” and “Goodbye Already” from “Marlborough Hall” (2019, Roaring Girl Records) CDN.
Jory Nash released his ninth album “Wilderness Years” earlier this year. It maybe his best yet, which is saying a lot for an artist who consistently produces great albums. It may also be his last – or at least for a while. As Jory explains during an in depth interview with Jan Hall at the Folk Music Ontario, its getting harder and harder to make a living as a singer-songwriter in a music world that is becoming so totally dominated by streaming companies that, at the present time, do not fairly compensate artists for access to their music. It’s a great interview, and well-worth checking out – and Jory also plays a couple of songs from the new album live for us. Wilderness Years was co-produced with Chris Stringer, and recorded at Union Sound with support from Jason Fowler, (guitars, mandolin), Devon Henderson (bass), Robbie Grunwald (piano, organ, accordion), Gary Craig (percussion), Dean Drouillard (6 & 12 string electric guitars), Burke Carroll (pedal steel), Kevin Fox (cello), Drew Jurecka (strings), Gene Hardy (sax), Jerome Godboo (harmonica) with Lori Cullen, Oh Susanna, Lydia Persuad & Chloe Watkinson (backing vocals). The new album has a lush and warm feel, and features 11 songs that are some of the most personal Jory has written, reflecting on the joys and responsibilities of new fatherhood, and crossing borders from folk and pop to soul, jazz and blues, with a nod to some of the great singer-songwriter albums of the 70s. Jory Nash plays Silence in Guelph on Saturday November 17 at 8 p.m. Visit Jory Nash online at jorynash.com. Music: Jory Nash “Sister Station” (Live), “Wilderness” (Live) and “The Astral Plane” from “Wilderness Years” (Thin Man Records, 2018).
Folk-noir singer-songwriter Abigail Lapell joins us on Episode 294 of Folk Roots Radio to chat about her sophomore release, “Hide Nor Hair”. Heavily influenced by her time in the art folk scene in Montreal in the 2000s, and recorded with mood maestro Chris Stringer (Ohbijou, Timber Timbre) in Toronto, the album features ten songs with a cinematic quality that take love and loss as their central theme. We also check out some of the best of the latest new releases.
Toronto based folk-noir singer-songwriter Abigail Lapell is about to release her sophomore album, “Hide Nor Hair” – quite possibly, one of the first great records of 2017. Heavily influenced by her time in the art folk scene in Montreal in the 2000s, and recorded in Toronto with Chris Stringer (Ohbijou, Timber Timbre), the album features ten songs with a cinematic quality that take love and loss as their central theme, and provide a platform for a voice that floats over a musical accompaniment that features harmonica, piano, finger style guitar from Abigail alongside drummer (and whistle soloist) Benjamin Hermann; Rachael Cardiello on viola; Joe Ernewein on bass; Mike Eckert on pedal steel and longtime collaborator Jessica Moore on backup vocals. Abigail Lapell was the recipient of the 2016 Colleen Peterson Songwriting Award for the song “Jordan,” which appears on the new record. Abigail Lapell is on tour in Eastern Canada in January with a CD release show in Toronto at The Burdock on Thursday January 19. Abigail is also in Guelph on Sunday January 29 for a show at The Cornerstone. For more information, visit abigaillapell.com. Photo: Jen Squires. We caught up with Abigail in Toronto to chat about the new album. Music: Abigail Lapell “Night Bird And Morning Bird”, “Jordan”, “Hostage Town” and “Home to Me” from “Hide Nor Hair” (2017, Coax Records).