Jory Nash released his ninth album “Wilderness Years” earlier this year. It maybe his best yet, which is saying a lot for an artist who consistently produces great albums. It may also be his last – or at least for a while. As Jory explains during an in depth interview with Jan Hall at the Folk Music Ontario, its getting harder and harder to make a living as a singer-songwriter in a music world that is becoming so totally dominated by streaming companies that, at the present time, do not fairly compensate artists for access to their music. It’s a great interview, and well-worth checking out – and Jory also plays a couple of songs from the new album live for us. Wilderness Years was co-produced with Chris Stringer, and recorded at Union Sound with support from Jason Fowler, (guitars, mandolin), Devon Henderson (bass), Robbie Grunwald (piano, organ, accordion), Gary Craig (percussion), Dean Drouillard (6 & 12 string electric guitars), Burke Carroll (pedal steel), Kevin Fox (cello), Drew Jurecka (strings), Gene Hardy (sax), Jerome Godboo (harmonica) with Lori Cullen, Oh Susanna, Lydia Persuad & Chloe Watkinson (backing vocals). The new album has a lush and warm feel, and features 11 songs that are some of the most personal Jory has written, reflecting on the joys and responsibilities of new fatherhood, and crossing borders from folk and pop to soul, jazz and blues, with a nod to some of the great singer-songwriter albums of the 70s. Jory Nash plays Silence in Guelph on Saturday November 17 at 8 p.m. Visit Jory Nash online at jorynash.com. Music: Jory Nash “Sister Station” (Live), “Wilderness” (Live) and “The Astral Plane” from “Wilderness Years” (Thin Man Records, 2018).
Folk-noir singer-songwriter Abigail Lapell joins us on Episode 294 of Folk Roots Radio to chat about her sophomore release, “Hide Nor Hair”. Heavily influenced by her time in the art folk scene in Montreal in the 2000s, and recorded with mood maestro Chris Stringer (Ohbijou, Timber Timbre) in Toronto, the album features ten songs with a cinematic quality that take love and loss as their central theme. We also check out some of the best of the latest new releases.
Toronto based folk-noir singer-songwriter Abigail Lapell is about to release her sophomore album, “Hide Nor Hair” – quite possibly, one of the first great records of 2017. Heavily influenced by her time in the art folk scene in Montreal in the 2000s, and recorded in Toronto with Chris Stringer (Ohbijou, Timber Timbre), the album features ten songs with a cinematic quality that take love and loss as their central theme, and provide a platform for a voice that floats over a musical accompaniment that features harmonica, piano, finger style guitar from Abigail alongside drummer (and whistle soloist) Benjamin Hermann; Rachael Cardiello on viola; Joe Ernewein on bass; Mike Eckert on pedal steel and longtime collaborator Jessica Moore on backup vocals. Abigail Lapell was the recipient of the 2016 Colleen Peterson Songwriting Award for the song “Jordan,” which appears on the new record. Abigail Lapell is on tour in Eastern Canada in January with a CD release show in Toronto at The Burdock on Thursday January 19. Abigail is also in Guelph on Sunday January 29 for a show at The Cornerstone. For more information, visit abigaillapell.com. Photo: Jen Squires. We caught up with Abigail in Toronto to chat about the new album. Music: Abigail Lapell “Night Bird And Morning Bird”, “Jordan”, “Hostage Town” and “Home to Me” from “Hide Nor Hair” (2017, Coax Records).