Hamilton folk singer-songwriter Piper Hayes is getting ready to release her first full-length album, “Piper & Carson”, which also features her partner Carson Ritcey-Thorpe. Produced by Chris Bartos, the album was recorded live off the floor at Thorpe’s Organic Produce farm in Millgrove, ON (near Hamilton) in the summer of 2017. Joining Piper Hayes (lead vocal, rhythm guitar) on the album are Carson Ritcey-Thorpe (vocal, lead guitar), Kevin Neal (pedal steel), Leah Ritcey-Thorpe (back-up vocals) and Chris Bartos (upright bass, piano, electric and acoustic violin, electric guitar, Moog, vocals). Album release shows take place in Hamilton, at This Ain’t Hollywood, on Thursday, December 7, 2017, doors at 8:00 p.m. (show at 9:00 p.m.) and in Toronto, at The Dakota Tavern on Friday, December 8, 2017, doors at 6:00 p.m. (show at 7:00 p.m.). The support for the Hamilton show will be the great Guelph-based folk group The Lifers, while Owen Sound folk duo Our Shotgun Wedding join Piper for the Toronto release. Piper and Carson joined Jan Hall from Folk Roots Radio at the 2017 Folk Music Ontario conference for a fun chat about their music and a couple of live songs. For more information about Piper Hayes, visit pipersings.com. Music: Piper Hayes “In My Bones” from “Piper & Carson” (2017, Self), “Careless” (Live), “Big Red” (Live) and “Honey” from “Goodbye Mister Nice Guy” (2016, Self).
We’re giving the whole of this episode of Folk Roots Radio over to an interview with banjo player and rising star Kaia Kater who has just released her sophomore recording “Nine Pin”. Nine Pin is a concept album that takes as its inspiration the Black Lives Matter movement and Kaia’s own experience growing up as a person of colour in North America. And it’s an album that gives Kaia free reign to push her own boundaries using her old-time Appalachian banjo as the leaping off point for powerful lyrical songs that show maturity way beyond her years. It really is a terrific album, and it’s a great interview. I hope you enjoy it.
Kaia Kater has just released her sophomore recording “Nine Pin”. Recorded in just one day in Toronto, with Chris Bartos, the producer of Kaia’s debut album “Sorrow Bound”, Nine Pin is a concept album that takes as its inspiration the Black Lives Matter movement and Kaia’s own experience growing up as a person of colour in North America – but also touches on more personal source material such as love and loss. And it’s an album that gives Kaia free reign to push her own boundaries using her old-time Appalachian banjo as the leaping off point for powerful lyrical songs that show maturity way beyond her years. We caught up with Kaia at home in Toronto to chat about the new album. Kaia has a CD release concert in Toronto at the Burdock on June 12. She’ll also be appearing at the Kingsville Folk Music Festival, August 12-14. For more information, visit kaiakater.com. Music: Kaia Kater “Rising Down”, “Harlem’s Little Blackbird”, “Paradise Fell” and “Nine Pin” from “Nine Pin” (2016, Self).
Kaia Kater is one of the most promising young performers on the North American folk roots and old-time music scene. A banjo player and singer, she’s already carving out her own niche in Appalachian and Canadian traditional music. Originally from Québec, and now based in Toronto, Kaia self-released her first full-length album “Sorrow Bound”, produced by Chris Bartos in 2014. She’s since signed to Kingswood Records in the US. We caught up with Kaia at home in Toronto. Music: Kaia Kater, “When Sorrows Encompass Me Round”, “Moonshiner” and “Come and Rest” from “Sorrowbound” (2014, Self)