Expat Brit Peter Stone and his partner Albertan Denise MacKay have just released their fourth album as 100 Mile House, “Hiraeth’, which is a Welsh word with no direct English translation but is defined as a sort of homesickness, but with a sense of nostalgia and longing for a place or person that may never have actually existed. Recorded in Edmonton AB, with Peter Stone in the producer’s chair, “Hiraeth” is a fabulous album of deeply personal and introspective songs that focus on subjects like love, loss and grief, accompanied by fine musical arrangements – including some gorgeous use of both violin and cello alongside some beautiful harmonies. We caught up with Peter Stone at home in Edmonton to chat about the new album. Photo: Jessica Fern Facette. For more information about 100 mile House, visit 100milehouse.co.uk. Music: 100 Mile House “Hidden Springs”, “All We Have”, “Last Branch” and “You Feel Like Home” from “Hiraeth” (2016, Self).
It’s another all music hour on Folk Roots Radio as we play catch up on the best of the latest new releases.
We’re all about the music on this edition of Folk Roots Radio. We have lots of interviews to bring you, but we’re going to hold off on those this time round, so we can bring you some of the best new releases.
Scottish singer-songwriter Fraser Anderson joins us on this episode to chat about his latest album “Under The Cover Of Lightness”. He also plays a couple of songs live, and recites an original poem – a pleasant surprise for this show. It’s a great interview, lots of fun and definitely well worth checking out. We also take a look at at a new compilation of English folk music, The Ultimate Guide to English Folk.
Graydon James and Laura Spink are the heart of Toronto’s The Young Novelists, a six piece folk-roots band when playing close to home, but pretty much everywhere else they’re stripped down to their essence, a finely tuned harmonizing duo. They’ve had a fabulous couple of years musically – their sophomore release, 2015’s “made us strangers” was very well received, taking home the prize for New/Emerging Artist of the Year at the 2015 Canadian Folk Music Awards and they’re now touring in the United States regularly. Graydon and Laura sat down with us at the Folk Music Ontario conference to chat about their music, travels, and future plans. Photo: Ana Muira Music: The Young Novelists, Always Make The Mistake and Hear Your Voice from Made Us Strangers (2015, Self)
The amazing Scottish singer-songwriter with the delicate and dexterous vocal delivery, Fraser Anderson, who now makes his home in the wonderful musical city of Bristol in the UK, joined us in our mobile studio at the Folk Music Ontario conference to chat about his music and latest album “Under The Cover Of Lightness” (released in April 2016). During our chat, Fraser played a couple of live songs and gave us a wonderful poem recitation. Our fun conversation included one of his first musical experiences – singing in his father’s butcher’s shop with an animal bone for a microphone, and one of his most meaningful, playing with Dougie MacLean for four years. The gorgeous Bex Baxter also joined us in the studio on harmony vocals. Fraser’s new digital EP recorded in Toronto, “Beautiful Eyes Ontario Skies” was released on November 4. For more information visit fraseranderson.com. Photo credit: Charles Gravely. Music: Fraser Anderson “Rising Sons” from “Under The Cover Of Lightness” (2016, Membran), “What Kind Of Man” (Live), “Beautiful Eyes” (Live), “With You All” (Live), “Crying From My Heart” from “Under The Cover Of Lightness” (2016, Membran).
On the back of rave reviews at this summer’s Kingsville Folk Music Festival, Toronto’s folk quintet Union Duke are heading back down into Ontario’s banana belt for a show at Leamington’s Bank Theatre on Saturday November 26 at 8 p.m. (Doors 7 p.m.) The band released their third album “Golden Days”, the follow-up to the very well received “Cash & Carry” earlier this year. With a lively alt.folk bluegrass pop sound, the band inhabit the same territory as Mumford & Sons and The Strumbellas. They have a fabulous live show, and are definitely worth checking out if you haven’t yet done so. Get your tickets online HERE. Check out Union Duke online at unionduke.com.
Brian Blain, self-described semi-retired blues guy, “Blainsletter” blogger and managing editor of the Toronto Blues Society‘s Maple Blues newsletter joins us on this episode to chat about his music. Brian stopped by our mobile studio at the 2016 Folk Music Ontario conference for an immensely enjoyable conversation about his 40 plus years in the music business. We also take a look at the nominees for Vocal Group Of The Year at the 2016 Canadian Folk Music Awards.
This edition of Folk Roots Radio is all about the 2016 Folk Music Ontario conference that recently took place in Ottawa. We play music from some of the great artists we saw play official showcases at the conference and chat with two of our favourite bands, The Young Novelists and The Bombadils.
Brian Blain, self-proclaimed semi-retired blues guy, “Blainsletter” blogger and managing editor of the Toronto Blues Society‘s Maple Blues newsletter, stopped by our mobile studio at the 2016 Folk Music Ontario conference for an immensely enjoyable conversation about his 40 plus years in the music business, the upcoming official release of his remix album “New Folk Blues 2.0” and to play a couple of tunes live. As always it was great fun. Brian will be celebrating “New Folk Blues 2.0” with a show at Toronto’s legendary Old Mill on Saturday, October 29 where he will be joined by George Koller, Michelle Josef and Alison Young, who all contributed to the remixed recording. For more information visit brianblain.com. Photo credit: Russ Kelley. Music: Brian Blain “Forgotten”, “The Ghost of Clinton’s Tavern” from “New Folk Blues 2.0” (2013, Self), “Cape Cod Blues” (Live) and “Last Time I Saw Lenny” (Live).
The Bombadils produced some big news in 2016, announcing that they’re now a two piece featuring Sarah Frank (fiddle, banjo, vocals) and Luke Fraser (guitar, mandolin, vocals) after bassist Alan Mackie and flautist Anh Phung moved on to new projects. The newly slimmed down Bombadils released their first album as a duo, “New Shoes” on Borealis Records earlier this year. The Bombadils now perform live as a duo, or in larger settings, with cello or bass. Sarah and Luke sat down with us at FMO to chat about the changes in the band and the release of the new album. Photo: Ana Muira Music: The Bombadils, Train In The Night from New Shoes (2016, Borealis Records).
Brian “Colorblind” Blain has been writing and performing his unique brand of slow-cooked, solid-groove folk blues for more than 40 years. Brian released a “live” solo album called “New Folk Blues” in 2011 that took a light-hearted look at his life in music, while giving him free rein to indulge his passion for folk, blues and jazz. Brian has elected to revisit the tracks on the New Folk Blues album by inviting musical friends Harry Manx, Clayton Doley, Drew Jurecka, Colleen Allen and others into the studio, leading to a sweetened, stacked and mastered version of the album appropriately titled “New Folk Blues 2.0”. Brian will be celebrating the reboot of the “New Folk Blues 2.0” album on Saturday, October 29 at Toronto’s legendary Old Mill where he will be joined by George Koller, Michelle Josef and Alison Young, all of whom contributed to the new recording. For more information visit brianblain.com.
Mandolin master and multi-instrumentalist Andrew Collins joins us on this episode to chat about his fabulous new album “And It Was Good”. And it is… very good, and nominated for both Instrumental Group of the Year and Producer of the Year at the Canadian Folk Music Awards. We also take a look at some of other nominees for the 2016 awards – this time we focus on the category of Young Performer Of The Year.
Mandolin master and multi-instrumentalist Andrew Collins had already achieved greatness as an in-demand session player and part of Toronto’s famed Foggy Hogtown Boys and Creaking Tree String Quartet before setting out with his own Andrew Collins Trio, to create something very special indeed for their second effort “And It Was Good”… a concept album that uses as its theme, the biblical seven days of creation story, referenced by the eight individual tracks, that merrily criss-cross musical borders. The Andrew Collins Trio – Andrew Collins on mandolin, mandocello, mandolin and little fiddle, accompanied by Mike Mezzatesta (mandolin, guitar, fiddle) and James McEleney (bass, mandocello) with support from the Phantasmagoria String Quartet (John Showman and Trent Freeman on violins, Ben Plotnick on viola and Eric Wright on cello) serve up music that takes in classical baroque, jazz, bluegrass, folk and celtic influences with a nod to the crossover work of the late great Oliver Schroer, in a format that, because of the prominent strings, has been described as chambergrass. And It Was Good is a fantastic album – sublime, even – and an album that deserves to be listened through from beginning to end. The Andrew Collins Trio have received a well-deserved nomination for Instrumental Group of the Year at the 2016 Canadian Folk Music Awards and Andrew Collins along with David Travers-Smith is also in the running for Producer of the Year. The Andrew Collins Trio will be bringing the new album to Hugh’s Room in Toronto on Friday October 21 at 8:30 p.m. For more information and to get tickets, visit hughsroom.com or call (416) 531-6604. Music: Andrew Collins Trio “Light From The Darkness”, “Firmaments” and “And It Was Good” from “And It Was Good” (2016, Self)
Singer-songwriter Martha Renaud joins us on this episode to chat about her latest album, “Time & Tide”, produced by multi-instrumentalist J. P. Cormier in Nova Scotia. We also continue our review of the nominees for the 2016 Canadian Folk Music Awards – this time we focus on the category of English Songwriter of the Year.
Martha Renaud has just released her second album, the J.P. Cormier produced, “Tide & Tide”. A strong songwriter with a warm and welcoming folk singer-songwriter style, we recently enjoyed a fabulous performance from Martha to close out the Sunday summer concert season at the Two Creeks Conservation Area in Wheatley Ontario. Featuring support from David Light on guitar and John Takle on stand-up bass, it was a great show, and, one that will live long in the memory. Martha Renaud joined us in the studio to chat about her music. Among the songs we played were a couple recorded live for a new initiative we’re involved in, the Sun Parlour Coffee Sessions. Stay tuned for more details about that. For more information about Martha Renaud, visit martharenaud.com. Music: Martha Renaud “Sea of Oblivion” from “Tide & Tide” (2016, Self), “Withered Hands & Weathered Wood” (Live), “Last Child” (Live) and “Fly” from “Time & Tide” (2016, Self).
Zachary Lucky joins us on this episode to chat about his new album “Everywhere A Man Can Be”. We also continue our review of the nominees for the 2016 Canadian Folk Music Awards. This time around we take a look at the nominees for The Oliver Schroer Pushing The Boundaries Award, and, as every year, some great artists and albums have been nominated.
Zachary Lucky is just about to release “Everywhere A Man Can Be”, the follow-up to 2013’s “The Ballad Of Losing You”. And where The Ballad of Losing you was introspective and reflective – focusing on some very personal themes, the new album is outward looking, expansive and optimistic featuring nine new songs written on the road, that name check people and places he visited while touring his last effort. The album features stellar support from pedal steel virtuoso Aaron Goldstein, who also produced, and a band that includes Taylor Knox on drums, Dan Edmonds (Harlan Pepper) on piano, Darcy Yates (Flash Lightnin’, Bahamas) on bass, Rosalyn Dennett on fiddle, and Slocan Ramblers‘ Frank Evans on banjo. Nichol Robertson also guests on guitar, alongside vocalist Julie Fader, and pianist Jay Swinnerton. With a laid-back style that’s all his own, “Everywhere A Man Can Be” is clearly a step towards solidifying Zachary’s place in the vanguard of Canadian country music. We caught up with Zachary at home in Orillia to chat about the new album. The album release takes place at the Dakota Tavern in Toronto on October 7. For more information visit zacharylucky.com. Music: Zachary Lucky “Can’t Say Why”, “Everywhere A Man Can Be” and “Lost My Way (Now & Then)” from “Everywhere A Man Can Be” (2016, Self).
Singer/songwriter Sharon Goldman from New Jersey joins us on this episode to chat about her latest album, “Kol Isha (A Woman’s Voice)”, an album that it takes as its theme, Sharon’s own life experience – growing up in an orthodox Jewish family on Long Island, New York. We also take our first look at the nominees for the Canadian Folk Music Awards starting off with the category of Contemporary Album of the Year.